
Countdown: 2 days to Gladiator’s Fifth Anniversary
As I mentioned, there had to be two different artworks for these two arcs even if they’re well tied together. But there was just so much to add that… yep. It only made sense this way.
The song I linked this time basically inspired the dance scene… which, if you watched the Lake House, should be easy to understand. Of course, Sokka and Azula can’t behave themselves as I write them, so what should have been a solemn kind of dance became a completely ridiculous one instead where neither one could stop laughing :’D still, the scene is as they’re gazing at each other, in their ship-typical almost-kiss (seriously, I’ve never seen a ship with more almost-kisses than this one and that’s saying something!).
This is also another thematic kind of artwork, rather than an overlap of scenes. Toph’s got her back towards the making-out Zuki because she’s got to look ominous, considering she caused Zuko to talk to his father (and we all know how that turned out). Ozai’s first appearance in these artworks isn’t exactly mindblowing… but welp, I hadn’t found another arc where he worked, so here we go. With a smug smile because all is going according to keikaku.
Iroh at the corner seems to be a little bothered by something, I guess? It’s meant to be more of a portrayal of his reaction to Azula’s ceremony (yes, it’s from the other artwork, but what can I tell ya…), which is where he started to feel uneasy about his niece all over again. And of course, Zhao had to be here… with his psycho smirk. If you’re confused about what’s going on with Zhao in the story, don’t worry, so am I! For a bland and cardboard villain, this guy can certainly be more complex than that if you try a little harder. I know he’s currently being glared at because of how observant he’s being… I suppose he deserves that, huh?
At any rate… you all know what’s coming tomorrow, don’t you? :’D

















